
Needlepoint Tapestry, 100x100cm. 2013.
A recurring form of poetry during the pre-Islamic period is now known as “The Poetry of Wine.” Within this genre, themes including death, rebellion, the passage of time and sanctity were examined through the personification of wine mostly as a woman. Both a drinker and a worshiper of God enter a state of trance that leads to the absence of the mind. For that reason, some branches of Sufism incorporate the poetry of wine to help worshipers feel closer to a higher being. “A Hail of Abuse” is an attempt to bring the names that poets used to personify wine back to life, while integrating them in the modern Egyptian society. Three women in an Island in Aswan that is highly influenced by Sufi culture collaboratively wove 99 names written by calligrapher Mohamed Hassan and inspired by the early Kufic script. The yarn and the tapestry are all dyed in wine natural ingredients. Abu Nuwas, a classical Arabic poet, once said “اثن عليها بآلائها وسمها بأحسن اسمائها” (Praise its blessings; and call it by its best names) while referring to wine.



























